Political and social potentialities of tele-immersive media: critique and tipologies of the ‘virtual’

Main Article Content

Joana Bicacro
https://orcid.org/0000-0001-8741-3921

摘要

This paper uses a critical interdisciplinary method to explore the process of redefinition of presence within the discourses of the metaverse and VR, particularly by Big Tech or platform capitalism companies marketing of virtual travel media. For this end, critical discourse analysis is applied in the context of qualitative platform studies. The paper examines the use of digital means to subvert scale and transcend the dimensions at which human contact, social and political action and events typically occur. This raises the question: what exactly is being mediated and which aspects of place are being re-mediated? Alongside a widespread belief that a media culture of distance and passive reception has ended, the promises and perils of the virtual are linked to the hopes of redefining and continuing community, both local and global, and (dis)ordering the social. Lastly, the paper identifies, through a speculative critique method, two parallel trends in the process of virtualizing places and spaces designing a typology for virtualization or tele-immersiveness: an ontological/epistemological mode (representational or correlational) and a periled sociopolitical mode, and oposes them to the concept and pratices of operational materialism.

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How to Cite
Bicacro, J. (2025). Political and social potentialities of tele-immersive media: critique and tipologies of the ‘virtual’ . methaodos.社会科学期刊, 13(1), m251301n02. https://doi.org/10.17502/mrcs.v13i1.873
栏目
研究笔记
Author Biography

Joana Bicacro, Lusophone University of Humanities and Technologies

Assistant Professor at Lusófona University, Portugal and holds a Communication Sciences PhD (2024, Lusófona University). Her research currently focuses primarily on visual culture, the virtual turn, immersive media and mediated spaces and communities. She has presented and published papers on digital media, cinema and photography, media arts training, haptics, aesthetics, visual culture and image technologies. She is a member of the Early Visual Media Lab at CICANT. She has been vice-chair to the ECREA Philosophy of Communication section from 2018 to 2024.

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